A Chorus Line

A Chorus Line is a thrilling, intimate musical where dancers lay bare their hopes, fears, and personal histories. Through electrifying movement and raw storytelling, they fight for one of the coveted spots on the line, revealing the heart behind every step.

Director: Mani Velvet McCalmon
Music Director: Alex Walley
Choreographer: Gregory Theodore Marsh
Producers: Hasson Harris W. & Stephanie Saint Germain
Stage Manager: Hannah Wojcik

Se ason Subscriptions & FlexPasses still available!
Individual Tickets on Sale Now!

Personal Responsibility Statement: SLOC Musical Theater is proud to present a diverse array of theatrical productions that celebrate creativity, expression, and community engagement. We recognize that not all performances may resonate with or be suitable for every individual or age group. Patrons are strongly encouraged to review show descriptions, themes, and content advisories before purchasing tickets in order to make informed decisions based on personal tastes and sensitivities. Please feel free to contact the box office if you have specific questions or concerns about the content of a production.

Audition

At SLOC Musical Theater, we are committed to fostering an inclusive and diverse environment that reflects the vibrant Schenectady community. We actively encourage actors from all backgrounds, including those who identify as LGBTQIA+, BIPOC, and people of all gender identities, to audition for every role. Your unique voice and perspective enrich our productions, and we invite you to be part of our theater family. Join us in building a theater where everyone feels seen, heard, and valued.

SLOC Musical Theater never charges tuition or fees to artists of any age to participate in our productions.

Please note: these auditions are open calls for performers age 16 and older. Performers under 18 at the time of auditions must have a parent or guardian present.

Audition Dates:

Thursday, October 8 and Friday, October 9, 2026 (You only need to attend one of these sessions)
Sign-in begins at 6:30 pm. Auditions begin at 7:00 pm.
Invite-only callback auditions will be held on Sunday, October 11, 2026, at 12:00 pm.

Location:

SLOC Musical Theater, Education Building
418 Liberty Street, Schenectady, NY, 12305
Auditions are not in the main theater building. If you are not familiar with our campus, please use the address above in your GPS rather than entering only “SLOC.”
Free parking is available in the city-owned lot across the street.
Please enter through the left front door facing Liberty Street.

Performance Dates:

January 15–17 and January 21–24, 2027
(Thursday, Fridays, and Saturdays at 8pm, Sundays at 3pm)
SLOC Mainstage, 427 Franklin Street, Schenectady, NY 12305

What to Prepare:

Please prepare 16 to 32 bars of music, approximately one minute, from a Broadway show, ideally in a style similar to the production.
Singing from the show is welcome but not required.
An accompanist will be provided, so please have sheet music in the correct key.
Please dress comfortably, wear appropriate shoes, and be prepared to DANCE (werk!). You will have an opportunity to change after you sing if you’d like.
Readings from the script will be provided.

Rehearsals:

Rehearsals will be held on Monday, Wednesday, and Friday evenings from 6:30 pm to 9:30 pm, and on Sunday afternoons from 1:00 pm to 4:00 pm.
Please note that rehearsal times are subject to change based on cast and crew availability.
Rehearsals will begin with a full-cast read-through on Sunday, October 18, 2026.

Attendance

The following rehearsal dates are mandatory for all cast and crew:

Board Review: (Date TBD)
Photo Shoot: (Date TBD)
Theater Clean-Up: Friday, January 8, 2027
Tech Week: Sunday, January 10 through Thursday, January 14, 2027
All performances
Strike: Sunday, January 24, 2027, immediately following the final performance

Character Breakdown:

All roles are open to performers age 16 and older unless otherwise noted. Character descriptions are provided to help auditioners understand the roles, but the creative team welcomes a wide range of performers and interpretations.

Zach (male presenting) Commanding, demanding director leading the audition. Curt at times but ultimately empathetic, pushing dancers to reveal their truths. Vocal Range: Spoken
Larry (male presenting) Skilled, supportive assistant choreographer who demonstrates combinations and keeps the audition moving with precision and clarity. Vocal Range: Spoken
Cassie Ferguson (female presenting) Former featured dancer fighting to return to the chorus. Vulnerable, determined, and emotionally complex; a true triple‑threat with a pivotal solo moment. Vocal Range: A3–C#5 (opt. D#5)
Sheila Bryant (female presenting) Witty, confident, and sharp‑tongued veteran dancer whose humor masks deeper emotional wounds. Mature presence with strong storytelling. Vocal Range: G3–Bb4
Val Clark (female presenting) Bold, brassy, and unapologetically herself. Delivers comedic honesty about body image and owning her uniqueness with charm and confidence. Vocal Range: G#3–C#5
Diana Morales (female presenting) Warm, passionate, and determined performer with strong emotional depth. Known for “Nothing” and “What I Did for Love,” bringing heart to the ensemble. Vocal Range: G#3–C#5
Judy Turner (female presenting) Quirky, enthusiastic, and lovable dancer who shares humorous childhood memories. Radiates optimism and sincerity throughout the audition process. Vocal Range: G#3–C#5
Kristine Urich (female presenting) Sweet, eager, and hilariously tone‑deaf performer whose comedic timing shines, especially alongside her supportive husband, Al. Vocal Range: Cb4–Eb5
Maggie Winslow (female presenting) Tenderhearted dreamer who escaped a difficult childhood through ballet. Brings warmth, vulnerability, and emotional resonance to “At the Ballet.” Vocal Range: B3–E5
Mike Costa (male presenting) Energetic, confident tap dancer with something to prove. Shares a humorous story about discovering dance as a kid and performs with high charisma. Vocal Range: F3–G#4
Connie Wong (female presenting) Energetic, comedic, and warm dancer whose petite stature shapes her journey. Experienced performer with strong personality and charm. Vocal Range: B3–E5
Greg Gardner (male presenting) Wry, confident dancer with sharp comedic timing. Offers candid, humorous stories and brings bold personality to the line. Vocal Range: Baritone
Bobby Mills (male presenting) Flamboyant, funny, and theatrical performer who uses humor to mask insecurities and a complicated upbringing. Vocal Range: Baritone
Richie Walters (male presenting) High‑energy, charismatic dancer with explosive personality and comic flair. Brings joy, electricity, and standout movement to the ensemble. Vocal Range: Tenor
Al DeLuca (male presenting) Grounded, supportive husband to Kristine. Warm, patient, and steady presence who helps her navigate singing challenges. Vocal Range: Baritone
Mark Anthony (male presenting) Youthful, enthusiastic dancer who shares humorous stories about adolescence and self‑discovery. Earnest, energetic, and optimistic. Vocal Range: Tenor
Paul San Marco (male presenting) Sensitive, introspective performer with the show’s most emotional monologue about identity, family, and acceptance. Deeply moving presence. Vocal Range: Baritone
Bebe Benzenheimer (female presenting) Shy but sincere dancer who finds beauty and escape in ballet. Adds emotional depth and vulnerability to “At the Ballet.” Vocal Range: Alto

If you have any questions, please email chorusline@sloctheater.org